I haven’t been pushing the Spinal Tap thing lately, so I was searching the web for articles, blogs, what-have-you about the Tap. I came across a list of the best fictional bands. As I’ve said, I don’t consider the Tap to be a fictional band, seeing as how they do play their instruments and write their songs. But I did start thinking about movie bands. Movies about rock bands aren’t always very good, but sometimes they are. So I’ve put together a list where you can choose your favorite movie band. There’s a whole slew of sample videos at the end of this blog.
Much of the inspiration came from these lists: The 50 Best Fictional Bands, Top 10 Greatest Fictional Bands and 10 Excellent Fictional Bands (I waste a lot of time clicking through lists on the internet). One list put the Tap at #1, another at #2 and another put them on the first page, so that must mean they’re the best.
FYI, I didn’t include Otis ‘Bad’ Blake or Mac Sledge, Dicky Cox or anyone from that Gweneth Paltrow movie, not because I don’t like country music, but because they’re solo artists, and it took me so long to get the list of just bands. I didn’t include the Ruttles or the Folksmen because I’ve already put them in another poll. Flight of the Chonchcords is a TV band (no disrespect intended). I thought about not including the Blues Brothers, ’cause they really did perform and tour as a band (and ’cause it was really hard to find a clip from the movie, I had to settle for the trailer). I wasn’t going to include The Lone Rangers, but Steve Buscemi does a great job of pretending to play bass guitar. If there’s another movie band I didn’t include, or I shouldn’t have included, write a comment.
I also found a clip of Nirvana talking about Singles (featuring Citizen Dick) and they go on to praise This is Spïnal Tap as being the best rock documentary. It all comes back around!!!!
Coming soon, the tally for the first half of the first round of the tournament! This whole tournament thing has grown into something much bigger than I expected. But you are worth it, my 10 or so devoted readers.
Figrin D’an and the Modal Nodes:
Dr. Teeth and the Electric Mayhem:
Sonic Death Monkey/Kathleen Turner Overdrive/Barry Jive and the Uptown Five:
The Soggy Bottom Boys:
Buckaroo Banzai & the Hong Kong Cavaliers:
Eddie and the Cruisers:
The Fabulous Stains:
The Blues Brothers:
I’ve been slacking. Apologies. But here’s a neat article about power pop bands. I, myself, am a fan of power pop (I think I’ve already covered this ground in my Cheap Trick v. RHCP entry, but it’s worth saying again); I like catchy melodies and simple song structure. Although this article is a bit of a shill for Gibson guitars, I like the songs and the bands. As it relates to this blog, only one of the bands on that list are in the HoF, and I’ve only included one other in my list (I may have to add Badfinger or The Sweet next year). Maybe it’s the ephemeral, spontaneous feel of the music that causes it to be overlooked by critics. But I’m hoping that Matthew Sweet, Fountains of Wane, The Outfield, Ok Go, The Producers and other seemingly disposable pop bands that are particular favorites of mine don’t fade away entirely.
And so what are the requirements for entry into the hall? A band must have released their first album 25 years previously and… that’s it. There’s a committee that chooses eligible artists for their “significant impact on the evolution, development and perpetuation of rock and roll” and then sends ballots to more than 500 rock ‘experts’. Apparently they didn’t want to go with “The Rock and Roll Hall of Impacting Evolution, Development and Perpetuation.” The top vote getters with over 50% of the vote get in according to their website. Usually 5-7 performers or groups. The past few years have been for acts that were previously overlooked; none of this year’s inductees released their first album in 1985, or in the 80’s for that matter, nor did any of last year’s. That’s reasonable, because everyone knows there were no new or significant artists from the 1980’s. Not The Cure, Bon Jovi, INXS, Depeche Mode, Billy Idol, X, XTC, etc. (not a band, just a Latin abbreviation). Certainly not for baby boomers who were starting families, listening to oldies radio and not going to clubs or listening to new music.
Not to belittle that generation of music fans, but there was a legitimate change in music in the 80’s, not to say that there weren’t changes in the 60’s or 70’s. (more…)
So I was discussing this with my girlfriend, bemoaning the fact that the Tap was again overlooked. She agreed with me, but then said “I didn’t know they were a real band.” I started to say that they weren’t, but then thought, why aren’t they? They performed live, play their own instruments (quite well, actually), wrote their own songs, have released a few albums (the first one in 1984) and do, in fact, rock.
But there’s no Nigel Tufnel, he’s the Right Honorable Christopher Guest! But why should that matter? Robert Zimmerman from Minnesota can become freewheelin’ troubadour Bob Dylan in Greenwich Village. Jim Morrison created a mythology about himself that his parents died when he was young, when they actually outlived him. Gordon Sumner did the same when he began to become popular as Sting. None of the Ramones last names are Ramone, and David Bowie changed his name from Jones to avoid being confused with a Monkee (Not to mention his time spent as Ziggy Stardust, or the Great White Duke). I hate to break this to you, my small circle of readers, but Bono and The Edge are not their birth names, nor was Stevie born with the last name Wonder. Did any of these pseudonyms make these artists less worthy of hall-dom? Will the fact that Dr. John is not legally able to practice medicine keep him from joining this year’s inductees? (R.I.P. to Captain Beefheart, who I can find no mention in his obits of having served in the military or the merchant marine and is not related to the famous Beefheart family of Essex). Are the Beatles later albums excluded because Paul died in 1966 and was replaced by a look-alike who continues to impersonate him and formed Wings? I don’t think so! There’s a element of Rock and Roll that is about re-inventing yourself, about artifice. It’s part of the freedom and liberation it offers.
“But you’re not getting it,” you say. “Michael McKean and Harry Shearer are actors!” But Elvis acted, The Beatles acted, does that make any of them less worthy of being in the hall? Did anyone say: “I’m not going to vote for Madonna because Swept Away (or just about anything else she’s been in) was so painfully bad”? (more…)
For some time, I’ve been on a campaign to have Spinal Tap inducted into the Rock and Roll Hall of Fame (RnRHoF). This year, especially when Neil Diamond was chosen to be inducted, I felt a particular sense of outrage. Maybe outrage is a bit strong, but none the less, as much as I enjoy the occasional Neil Diamond song (“Sweet Caroline,” That song from The Jazz Singer), he’s not a rock ‘n’ roll star. He’s just not. He maybe rocks sometimes, probably rolls once in a while, but he is not rock and roll. Not that the Rock and Roll Hall is that rocking either all the time, it’s made some selections that are, to me, mystifying. But I’m not the ultimate authority on Rock and Roll, so until now, I’ve let it go. But no longer! It’s time the Tap got into the Hall!
A bit of history; in the early 80’s a few things happened. First a guy said: “There ought to be a hall of fame for rock and roll!” Since that guy was Jann Wenner, owner and publisher of Rolling Stone and über-boomer, it happened. Then, in 1984, This is Spinal Tap was released (featuring a band that first performed in 1979). Since then Mr. Wenner and his posse have continued the HoF, building a museum in Cleveland and inducting over a hundred groups and/or solo artists (none actually from Cleveland). Spinal Tap has done pretty well for itself since then. The movie didn’t do well in its theatrical release, but has since done very well on video and DVD, to the point where it was selected to be a part of the National Film Registry in 2002, and becoming famously cited and admired by numerous rock bands.